It’s a cold winter day. You’re bundled up in front of your computer, sipping on a steaming cup of coffee when an advertisement for service work pops up. You see this tanned music therapist smiling at a young child as they strum a guitar. The ad is filled with bright colors and palm trees. You can envision yourself there, playing guitar with kids during the day and sipping on a fruity cocktail at the beach in the evening. What could be better than traveling to a tropical location and sharing your talents as a music therapist? It’s a vacation and a music therapy learning experience all wrapped up into one.
When I was a sophomore, I made the wonderful decision to participate in the Jamaican Field Service Project (JAFSP). I had always wanted to study abroad. I love warm, tropical climates and being at the beach. And, like many music therapists, I chose to enter this profession to help others. JAFSP offered it all- a study abroad experience in a beautiful place that would look great on my resume. Those 10 days in Jamaica were an amazing, life-changing experience for me. I loved learning from and networking with music therapy students and professionals from across the country. We learned traditional drumming patterns and Jamaican folk music. I became much more confident in my group leading abilities. I grew as a music therapy student. I loved my experience so much that I participated in the JAFSP the following summer.
This seems like a stellar review, right? Well, yes and no. I personally believe that the JAFSP is a great organization, but upon reflection I realize that my motivations for participating were questionable. As music therapists and future music therapists, we have an ethical responsibility to prioritize the needs of our clients. I realize now that my priorities were entirely about my needs – to grow as a music therapist, to network, to have a nice vacation, to learn about a new culture, etc. My clients’ needs were a regrettable afterthought. Fortunately, JAFSP requires students to learn about the culture and music before engaging with the local population and hires experienced music therapists to supervise students and professionals throughout the trip.
My goal is not to criticize JAFSP or other music therapy service projects, but to challenge anyone interested in participating in such projects to embark in thorough self-reflection. Research has shown that the volunteer tourism industry can cause negative and harmful effects on local communities if volunteers are not operating in a respectful and responsible fashion. If your priorities (like mine) focus primarily on self-growth and enjoyment, I challenge you to consider how your participation will affect the local community. We need to seek out learning opportunities, but we cannot do so at the expense of our clients.
Outside of the music therapy community, the voluntourism industry has come under fire. If you do a brief google search, you will find many articles calling volunteer tourism into question because of the ethical issues posed by these trips. Unfortunately, some organizations prioritize the needs and wishes of their consumers (the volunteers) over the needs of the local population. The volunteer tourism industry has also been criticized for placing volunteers into positions of power, recreating colonial hierarchies and undermining the local population (Luh Sin, 2008). These are all very relevant points that should be explored before participating in any music therapy or other volunteer service trip. In fact, you may decide that volunteer service trips are not for you – and that’s ok too!
If you do decide to participate in a service trip this summer, do your research and choose an organization that prioritizes the community’s needs. Don’t be afraid to reach out to international music therapists to inquire about ethical concerns. Prepare yourself by learning culturally relevant music. Most importantly, reflect on your own motivations and actively seek supervision throughout the process to protect your clients and meet their needs.
Krystine Smith is a Marine Corps veteran and Board Certified Music Therapist who works with the veteran population in Miami, FL. Krystine graduated from the University of Miami and is currently pursuing her Masters of Arts in Music Therapy at Saint Mary of the Woods College.
Excellent and very on point informative. Thanks.
Cannot stress how important this topic is. Especially as a current Peace Corps volunteer who has spent the past two years living abroad. Thank you for posting about this – it is a discussion that is so incredibly vital to the growth and good ethical standing of the music therapy profession and (in my own opinion) should be formally included in some way within the AMTA accredited university curricula.
Thanks for checking it out Hannah! Sounds like this is something we can all agree on =)
Thank you, Krystine, for this reflection about your trip experiences with the Jamaica Field Service Project (JAFSP). As a board-certified music therapist with a decade of professional experience, who has worked as a supervisor for JAFSP since 2010, and supervised you, this is definitely food for thought. I understand and appreciate the reflective process that you had regarding your personal intentions of engaging in this type of international training and service program. This type of growth and questioning about ethics and intentions are a natural part of being a music therapist, or any clinician in a helping profession, to include our work in our home countries. The fact that you participated in another JAFSP trip the year after your initial service-learning experience leads me to wonder about your thought process between trips, which informed your decision to return. I wonder if perhaps recent contemplations about your experiences is more reflective of your current status in your professional journey.
In addition to providing music therapy for people/populations that don’t have access or are underserved, which is part of our ethical obligations as music therapists, what I find valuable about JAFSP and other music therapy service programs –both domestic and international – is the unique opportunity to work as a team, co-facilitate, and collectively learn and grow alongside other music therapists. This is an unfortunate rarity in our field, as most music therapists in professional practice work alone or are siloed in their facilities. JAFSP’s board –
certified music therapy supervisors lead nightly supervision (per JAFSP protocol) to process cultural learning and immersion experiences. We address issues of clinical competences, cultural understanding, and hear from each of the students as they share and openly discuss their experiences throughout the “work” week and identify vital take-aways.
Music therapy is one component of JAFSP, which also includes music education and literacy support for students in Jamaica who would not have exposure to this level of project-based learning if it were not for the work of JAFSP program participants. It is amazing to see aspiring and newly-certified music therapists, music educators, and other professions (teaching, speech/language, audiology, etc…) working and learning from each other’s experiences and creating a professional network that they can access throughout their academic and professional careers.
I agree that the decision to engage in these types of programs is something that should be taken very seriously. Thank you for affirming that by sharing that your decision-making process, which in hindsight you identified could have been more ethically-grounded. I would like to add that in addition to contacting international music therapists, as you suggested, that any students or professionals who are contemplating participation in a program like JAFSP, also reach out to fellow students or colleagues who have done this type of work, and the programs themselves for guidance in the decision-making process. Speaking solely for the JAFSP team, we are available and happy to accommodate any inquiries that prospective trip attendees may have. Please contact email@example.com with any inquiries.